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Photo Update: October 14, 2019 – Universal Studios Hollywood

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It’s time for October’s photo update around Universal Studios Hollywood! This month, we take a look at construction progress on The Secret Life of Pets: Off the Leash!, as well as the numerous other projects under construction throughout the park.

Let’s get started!

Park Update Index

» CityWalk Hollywood
» The Secret Life of Pets: Off the Leash!
» Lower Lot
» A Little Bit of This and a Little Bit of That


CityWalk Hollywood

Howl at the Moon – a piano bar located on the upper level of Universal CityWalk – recently announced that their final night of operation will be Sunday, October 27. Their new venue in Hollywood (located outside of Universal property) will open later that week on Friday, November 1.

The Abercrombie clothing store – found just outside of Walter’s Gate – will be receiving an expansion with the addition of Abercrombie Kids, opening sometime this November.

IT’SUGAR continues work on its exterior with no visible progress to the public eye.

The previous locations of the Element Apparel store, Sublime Gifts & Finds, and ANGL all remain mostly untouched since our most recent visit. Still, no announcements have been made regarding their respective future replacements.

Empty framework remains up in front of the CityWalk restrooms and lockers for unknown reasons at this time.


The Secret Life of Pets: Off the Leash!

Construction rapidly continues on the family attraction slated to open in early 2020. Significant work on the facade of the show building continues behind the green scrim, revealing the outlines of windows and other architectural elements likely based off of the New York City apartment buildings found in the film.

Walls have once again extended further into Baker Street, forcing guests to walk through French Street and around Mulligan’s Pub in order to reach the restrooms and adjacent drinking fountain.


Lower Lot

Construction continues to significantly progress on the Lower Lot, where a massive show building continues to take shape. Major work now appears to be focused on the second floor of the building, though hard hats also continue to work on different sections all throughout the plot. At the time of this update, no formal announcement regarding the future attraction located on the plot has been made.


A Little Bit of This and a Little Bit of That

The widely popular Halloween Horror Nights glass cups – as well as other previously sold-out Halloween Horror Nights merchandise – are back in stock at multiple locations throughout the theme park and in the CityWalk Studio Store.

Recently, we were able to check out the brand-new Universal Monsters Presents: Bride of Frankenstein VR experience by Holoride at CityWalk Hollywood. We highly recommend catching it sometime during its run if you can, as it is completely free to all! The experience lasts approximately 10 minutes and runs on select dates from October 14 through November 9.

Christmas lights have been gradually going up across the park in preparation for the rapidly-approaching holiday season.

Feature Presentation has reverted back to selling Harry Potter themed merchandise.

In the Upper Lot Studio Store, a massive statue of Slimer from Ghostbusters is up for sale to any major fans of the franchise.

Additionally up for purchase in the Upper Lot Studio Store is the return of Minion Monsters merchandise, bringing together the lovable Minions from the Despicable Me franchise and the classic Universal monsters for a Halloween-inspired twist.

WaterWorld will be closed for its regular refurbishment as of October 15, 2019.

We also wanted to offer a shout-out to three longtime WaterWorld cast members who will not be returning to the show after it reopens. We sincerely thank you for your unique contributions to the show over the years – we’ll miss you!

In response to the monetary contributions from a number of major fans of the franchise, the iconic Lyon Estates signs from the Back to the Future series have been restored and placed in Studio Tour guest view.

As construction on The Secret Life of Pets: Off the Leash! invades on the entrance to Despicable Me Minion Mayhem, the adjacent Despicable Delights remains closed.

Testing for the new electric Studio Tour trams continues as various empty electric trams meander their way across the entire Studio Tour route.

Isla Nu-Bar in the Jurassic World area of the Lower Lot has received new decorative prints created in the style of traditional attraction posters.

Jurassic Café has received a new item on its menu: a tuna poke bowl.


That’ll do it for this month’s photo update. Be sure to follow Inside Universal for continuing coverage of Universal Parks and Resorts.

Universal Studios Beijing reveals 7 themed lands; set to open 2021

Universal Beijing Resort has announced details for its upcoming theme park, Universal Studios Beijing, revealing the seven highly-themed lands that will be featured when the park opens in 2021.

In addition to the lands, Universal Beijing Resort will include a signature Universal CityWalk Beijing entertainment complex and two resort hotels.

The lands are: Kung Fu Panda Land of Awesomeness, Transformers: Metrobase, Minion Land, The Wizarding World of Harry Potter, Jurassic World Isla Nublar, Hollywood and WaterWorld.

The seven lands at Universal Studios Beijing theme park “will bring popular culture’s most compelling stories and characters to life. Each land will contain a magnificently themed mix of attractions, shows, shops, and restaurants.”

“We will immerse our guests in incredible experiences that bring their favorite stories and characters to life in entirely new ways,” said Mr. Tom Mehrmann, President and General Manager of Universal Beijing Resort. “Our theme park will showcase the best Universal rides, as well as all-new, unique experiences specially created to reflect China’s rich cultural heritage. We are looking forward to sharing these exciting experiences with millions of visitors.”

Located in Beijing’s Tongzhou District, this phase of Universal Beijing Resort will occupy about 420 acres of a 1,000-acre site in the strategic central area of its Cultural Tourism Zone. Construction work is moving rapidly forward, with the resort expected to open in 2021.

The Bourne Stuntacular to open Spring 2020 at Universal Studios Florida

Jason Bourne is headed to Universal. Universal Orlando has announced The Bourne Stuntacular is set to open at Universal Studios Florida in Spring 2020.

Based on the hit spy franchise, the live stunt show will “blur the lines between stage and cinema in a hybrid form of entertainment that has never been seen before”. The Bourne Stuntacular will follow the character of Jason Bourne around the globe as sinister characters pursue him.

Universal states that the new show will feature “thrilling chase scenes, punishing fistfights, death-defying leaps and danger at every turn”, with the action taking place right in front of guests with live performers, high-tech props and an immense LED screen.

The Bourne Stuntacular replaces Terminator 2:3D, which closed September 2017.

The Bourne films span 5 films, mostly based around the character, Jason Bourne, a CIA assassin suffering from dissociative amnesia who must figure out who he is. A spinoff of the films, Treadstone, which explores the origins of the covert program, is set to debut tonight on the USA Network at 10/9 pm C.

Stay tuned to Inside Universal as more information is released on the new stunt show.

Universal Studios Japan to close October 12 due to Typhoon Hagibis

Due to the impact of Typhoon Hagibis, Universal Studios Japan has decided to close the park on October 12 in consideration of the safety of its guests and employees.

Guests with tickets purchased for October 12 will be refunded.

As of now, the park is scheduled to resume operations on October 13, but could change depending on the impact of the storm.

According to the Japan Meteorological Agency, Typhoon Hagibis (19th typhoon) is moving northwards over the Pacific to the south of Japan’s main island. Hagibis, one of the most powerful storms of the year, is on track to hit wide areas of Japan this coming three-day weekend (12th to 14th October) triggering rough weathers, transport delays, and suspensions. The agency says Hagibis will make landfall in Tokai and Kanto area including Tokyo from Saturday evening through Sunday.

Queen Mary’s Dark Harbor Celebrates 10 Years of Fear

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Has it really been a decade since the Queen Mary first started their Halloween event in 2009? Man, the time has flown by. We personally began visiting a few years after that, and it’s been interesting to see how the event has changed over the years, and what has stayed the same.The food offered has really broadened. I remember years ago where it was just regular carnival food with a spooky name. And now we have these colorful elotes that are really eye-catching.

Much like Knott’s, Dark Harbor leans into its own history for the base story of the event, and instead of a complete refresh of mazes every year, choose instead to create one, or two at most, and fine tune the rest. Each maze brings with it an iconic character that becomes a part of the culture of the event, roaming around the grounds for scares and photo-ops.It would be weird to imagine Dark Harbor without Scary Mary or The Captain. These people are the lifeblood of what makes Dark Harbor unique. So, while The Captain’s old maze of Deadrise was retired, it’s successor, Rogue, is similarly themed and still allows him an “anchor” into the event.

Rogue just doesn’t seem to get the same rush that Deadrise used to. Whereas Deadrise was populated with the eager, but sinister shipmates, Rogue seems to be just a bunch of people yelling at you to get off the ship because it’s flipping over. Additionally, the ending seems to have had some idea with bubbles at the end, it usually just ended in a weird pile of foam at the end with no meaning. The digital projections used throughout the enclosure and for the captain’s quarters are a nice touch, but without the classic ambush ending of Deadrise, it feels like we’re missing a tradition of Dark Harbor.But I’m optimistic. Intrepid was originally a radically different maze from what it is now, and this year it continues to be one of the strongest ones. The actors in that maze really help sell the atmosphere, alongside the super-detailed path and great scenes. It’s funny how little someone in a plague doctor mask has to do to be scary.Lullaby was also really well done this year. While there’s no actual pool you can go through, they did a fantastic job of making the pool scene, especially getting the floating body effect in there. There’s also something I can only describe as a “Scooby Doo Running Door” effect earlier on and it’s perfect. Just perfect. There’s some new dolls in the maze that are terrifying. Some of them have human actors inside and some don’t, so you never know if one is going after you.Feast was interesting this year. Once it merged and took over what used to be Soulmate, it found a good story, but the new ending this year is scary in a different form. After the final scene, where the family is all dead at the dinner table, you walk for what seems like a few minutes down some corridors and end up in the engine room where there’s a bar. Last year you needed a token to enter here, but this year to enter you simply need to survive Feast. It’s a nice walk through the ship, but many guests were confused, especially as there was no talent along the way to confirm they were walking the correct path. So yes, you’re going the right way. Enjoy the walk.Circus is a fan favorite that sticks around, for good reason. All the core parts are in this year including the ball pit, spinning room and the hall of mirrors. The best tip is to go earlier in the night for the best ball pit experience, as they get kicked around as the night goes on. The talent in this maze is some of the best, too. They have a lot of freedom to be off-the-wall wacky, and they sure make use of it.And finally, there’s B340. I’m not sure if there’s much changed in the maze this year, but I think its time has come. It still commands a long wait, as do many of the mazes, and it has the most distinctive soundtrack and my favorite detective-style outfits for the cast, but I think they’ve pushed that story as far as it could go.Outside of the half-dozen mazes, there’s still plenty to do and that’s why I love Dark Harbor. It’s not just the mazes, it’s an entire event. There are still two large main stages for the vaudeville acts, but instead of a small stage, some people that would normally occupy that are just roaming, providing for some unique surprises.And I want to reiterate, these acts are what I love about Dark Harbor. It’s a respite from the scary mazes. There’s so much variety and talent. Fire dancers, aerialists, magicians, mimes, hula hoop dancers, singers and even puppeteers with marionettes. It’s a certain Halloween magic that allows someone that plays 1930s tunes on a banjo to put on some scary makeup, and suddenly it’s a perfect fit for Dark Harbor. My only wish was for the return of that small stage near the Circus secret bar. The rapid-fire sequencing of musicians that performed there last year was a real treat and I was hoping to find it again. Thankfully we heard a few of our favorites belting out a few tunes, like the one who only went by the name “Mama,” but without a schedule on the map, they were hard to track down.The Slider show is all-new this year, with a great new cast of characters joining the established team. I’m pretty sure I say it every year, but I can’t get over how much the art of sliding has evolved since this event first began. It’s not just sliding and jumping, but there’s choreography and a storyline with a plot and conflict. I point this out so we don’t end up taking it for granted, and appreciate the culture that is developing all around us. The Queen Mary Sliders are at the top of their game and a must-see every night with their two shows nightly at 9 and 11 PM.And that doesn’t touch on the swings, the 4D show in the theater, the RIP Lounge with the all-you-can-eat taco bar, the cabanas, the DJ at the entrance and whatever else I’m forgetting.

I had a blast this year, and I hope I will for many more years to come.

Queen Mary’s Dark Harbor runs select nights through November 2nd and tickets are on sale now at QueenMary.com. Keep an eye on their Facebook and Instagram pages for frequent coupon codes, too.

Universal Monsters Presents: Bride of Frankenstein “holoride” coming to CityWalk Hollywood

Experience virtual classic monsters like never before in a brand-new experience debuting at CityWalk Hollywood; Universal Monsters Presents: Bride of Frankenstein holoride.

Guests will board a 2020 Ford Explorer and “fight off the creatures of the night with Bride of Frankenstein.” According to the website; Holoride is “the company advancing the future of in-vehicle entertainment”, and is partnering with Ford Motor Company and Universal Pictures to create an in-car, virtual reality experience.

The experience will be offered for a limited time beginning October 14 through select dates until November 9. The experience is free and will last approximately 10 minutes from start to finish. Holoride pickup will be near the west entrance of Universal CityWalk at Palm Court behind Billabong. Guests can reserve a time, but it is not required. Visit holoride.com/bride for reservations and more information.

 

The Inside Universal Podcast: Horror Nights Hollywood 2019 First Impressions Review

It’s time to talk Horror Nights at Universal Studios Hollywood! Sydney Newman is joined by Chris Glass and Brian Glenn to talk first impressions and review the event, discussing all 10 houses, 5 scare zones, merchandise, and more!

 

Direct Download and iTunes

You may download this episode directly here. You may also subscribe to the Inside Universal Podcast on iTunes. In addition, you can also follow us on Spotify to listen to podcast episodes on their app.

Knott’s Scary Farm Goes Back To Its Roots For 2019

Two weeks have now elapsed since Knott’s kicked off the 2019 season of Scary Farm and it’s finally hitting its stride. The biggest gripe of reviewing Halloween events like this is that opening night can sometimes be the least accurate night of the event. As guests and performers react, the whole event shifts organically. The monsters finish warming up. The mazes work out kinks. The crowds start increasing. The weather gets less brutal.

Suffice to say, even if I wasn’t reviewing this, I’d still be making multiple visits as I just have a blast every time I make my way down to Buena Park and venture into the fog.

After the big Knott’s Scary Farm event in August, they pretty much revealed everything to expect for this year. And we say “pretty much” because there’s always going to be surprises to discover.

The Mazes

Of the nine mazes this year, seven are returning, with two of those earmarked with 2019 as their final season. Shadow Lands is definitely feeling a bit long in the tooth. When it originally debuted, it was something special, due to the opening show scene. But that was quickly eliminated to improve crowd flow. If anything was changed this year for Shadowlands, I didn’t personally notice it, but it’s still definitely good for a few walk-throughs.

Special Ops: Infected did get some love this year. It’s a curious one, as there’s always a very long wait for this maze, and that’s not just because of the equipment that has to be distributed, but also just because it’s fun and engaging. The new rooms in Infected are well done, but it feels a bit frustrating because it feels like they should have been there since the first days. Infected’s biggest issue since it moved from Camp Snoopy to the innards of Mystery Lodge has been the lack of an open environment. It went from an interactive open field to a conga line maze with a gun. Anything to break up the monotony is appreciated. I’m hoping whatever replaces it in 2020 is conscious of those efforts.

Outside of those two, which have some special pins for sale, commemorating their runs in the park, the remaining 5 mazes are sticking around for the foreseeable future.

Dark Entities was our favorite last year, and this year it seems a bit more gory and alive. A few of the scenes had a lot more life added to them, and that would be all different kinds of lifeforms. The robot surgeon, arguably the best scene in the maze, has gotten splattered with the result of his work. The entire maze is a fun experience.

The other new maze from last year, The Depths, also has some changes to it. Instead of having a long walkway that was about descending on a path into the depths, you now enter an elevator with a large group of people, similar to Men in Black: The Ride at Universal Orlando. It’s a good effect and sets the mood for the maze, but unfortunately it’s about 100 feet into the maze and causes some awkward loading issues and wait times until you get to that point. While the Knott’s team members are loading people in at a steady clip at the entrance, be prepared to wait as you slowly inch your way forward to get past the bottleneck. I’m not sure what can be done to resolve this in a better fashion, but the best advice is to head to this maze first in the night to get it out of the way.

That leaves the classics. Without Trick or Treat dominating the wait times in the backlot area, it seems Paranormal Inc. is now the new favorite of the classics. Last year, unbeknownst to anyone, it got a completely new ending that features some amazing surprises which can only be hinted at as a bit of time travel. It’s not worth ruining the surprise and it ends the maze on a high note. That ending is still here this year and is still just as mind blowing every time we see it. Unlike The Depths, this has a much better intro show scene that doesn’t cause flow issues in the maze. The live actors in the maze really add a lot to setting up the story well.

Dark Ride is sticking around, too. As mentioned, this had two new rooms added for 2019. A security camera, with interactive buttons, and a gift shop exit scene. Upon entering the camera room, the buttons are really obvious and a clown invited me to press them. Unfortunately it was hard to hear what he was saying that they did, but upon exiting the maze, and going through the gift shop, it was quite clear and worth a hearty laugh. I only wish the shirt was actually for sale, as I’m sure many guests do. The gift shop exit itself feels very small, but they got a lot packed into such a small area. Much like Paranormal Inc., it’s amazing what a new ending can do for a maze. The final feeling you get as you exit is what sticks with you the most.

That leaves Pumpkin Eater of the classic mazes. I’m not sure what else to say about this maze except it fits the area well, and it’s very lengthy. There’s a few scares in there, but it really feels like its time has come. I understand the desire to have mazes fit their scare zone, but this needs a fresh take. If there’s anything changed this year, I’m not sure we noticed anything.

But, I’m happy to report that both new mazes this year are stellar.

Wax Works is I think the perfect embodiment of what makes a great Scary Farm maze. Sly references to park history, little bits of interactive surprises, absolutely gruesome sets, great actors, and a story you can follow without too much effort. The maze is very clearly the work of Daniel Miller. His twisted mind comes through clearly in all the depravity in display in this maze. There’s something haunting about all the melted faces. As you first enter, the lighting in the room is just dark enough you can’t make out how disfigured the first actor is until they get close. It’s a double whammy of scares. Then, as you get past the main show scenes, you enter the back room, where you are told to not go, and that’s where it gets even more perverse. There’s one specific sculpture in the maze that can only be describe as a corpse gestalt and it’s stunning. While the maze occupies the same footprint as the old Trick or Treat, you wouldn’t know. It’s a completely different path and a different feel entirely. The pre-show video in queue is a nice touch, playing an old add for the Wax Works museum, in its heyday. Plus, keep an eye out for some old banners that used to occupy the Carnevil scare zone. This maze really exceeded my expectations this year.

We saved the best for last.

Origins: The Curse of Calico is an experience. Replacing the Red Barn, it comes at a perfect time. While The Green Witch previously occupied Trick or Treat, she now makes her canonical debut in Origins. Through the use of the characters speaking in the maze, and the carefully placed videos throughout the maze, you see how the town mistreated Sarah Marshall and how she became the Green Witch that many Scary Farm regulars know of. Beyond that, the maze is just a masterwork of design. Every room in the maze is distinct and pushed the limit of what we call a “room”, without several outdoor scenes that make it way more than the sum of its parts. The classroom has a gigantic scare in it that’s not easy to pull off. The bank has a gigantic vault you have to walk through. (Although I can see guests have already made off with many of the plastic coins, despite how glued down they were) The outdoor saloons and the caverns are pulled off perfectly. And this being a maze based on a character from the park’s history, it would only be appropriate to have other nods to the park’s history like The Haunted Shack and the Catawampus.

The Shows

For what it’s worth, Awaken the Dead is a useful show. I’m not sure if I would call it a show, but rather a place where you can reliably find a DJ playing music in one of the few areas of the park devoid of monsters. In that respect, it’s almost an anti-show. A respite from the rest of the chaos everywhere else. I kind of wish it was still a scare zone, but this works, too.

Conjurers returns this year and is great as usual. It’s a rotating cast of magicians, however by the time you read this, the magician hosting regular shows inside the Bird Cage for the rest of the season will be Chipper Lowell. Thankfully, he’s great fun to watch and there are shows very late into the evening, so it should be easy to catch a show with him.

The Hanging returns this year, themed to Witches’ Revenge, further cementing the Sarah Marshall legend this year, if the Origins maze and opening act weren’t enough. I suppose it’s only tradition to say this year is worse than last year, in some M.C. Escher-style paradox of quality. This year the story is easy enough to follow, but it seemed quite clear the audience was a bit unfamiliar with the final surprise hanging victim, as he was outside of the normal realm of pop culture icon. Given how this show is the biggest example of changes throughout the season, I can’t safely say anything without it being outdated by the time you read it. Ultimately, the performers are fantastic this year, and the bits mocking Disney are great for a laugh. So any regular theme park goer should get a few laughs out of it.

Puppet Up – Uncensored is pure magic. I could probably gush for pages about how much I love the show, but it’s just pure magic. It’s crass, it’s well produced, and it’s a perfect length of time for being a part of a bigger event. I’ve had the lucky pleasure of seeing the show twice at the Jim Henson Company Studios, and while this is a truncated version, it’s every bit as hilarious. We’ve watched it every visit so far, and among all our friends, they’ve done the same, seeing it at least once every visit. My biggest concern before the show debuted at Knott’s was whether the audience would enjoy it, as they didn’t seem to appreciate Hacks much in 2018. But the guests are definitely sticking around, only a scant few walking out when a particularly offensive line was spoken, which makes it all the more enjoyable. This is a special thing to be able to see this rarely seen show and it’s worth the price of admission to the event alone. It’s that good.

The Scare Zones

Outside of that, the scare zones are the same as last year. They’re all fantastic with their special unscheduled events still occurring. We’re still trying to piece together when all the parts happen. For example, at 9:45 in The Hollow, near the jail cell, you might want to keep an eye on the witch that is captured. We haven’t caught the Forsaken Lake funeral procession yet, though. But that’s the rub with these things. You can’t always be sure if they exist or not until you’ve seen them in person. Unlike other parks, Knott’s really feels like they encourage you to linger in these scare zones. They’re just as entertaining as the mazes themselves.

The Wrap Up

Finally, the Time Zombies VR game was moved from being under Iron Reef to taking over a stall in the midway in CarnEVIL. It works much better over there, as VR doesn’t need as much space as the old laser tag area took up. The merchandise is fantastic. The shirts look like they might be the best in a long while. And there’s some interesting pins to collect, as well. The magic shop has one exclusive one, featuring the Dead Man’s Hand.

The Into The Fog exhibit returns this year. And the work continues to astonish. The talent that this gallery attracts is just heartwarming. It’s funny, how an event focused around such violent and gory tendencies can really create such amazing works of art.

And the Timber Mountain Log Ride also gets its annual reskin into the Halloween Hootenanny again this year. We didn’t spy any extra monsters during the Scary Farm hours, but it’s still definitely worth it to ride it, if not just to see the giant bear tell you “Trick or Treat!”

Overall, there’s a reason Knott’s has been doing this event for nearly 50 years. They knock it out of the park every time and definitely have earned the mantle as keeper of Halloween.

Knott’s Scary Farm runs select nights through November 2nd and tickets are on sale now at Knotts.com.

Visiting Throwback Thursdays at Halloween Horror Nights at Universal Studios Hollywood

This year’s Halloween Horror Nights brings guests a blast from the past on ‘80s Throwback Thursdays! Operating each Thursday during the event, ‘80s Throwback Thursdays feature a number of special offerings centered around the theme of the 1980s, including – but not limited to – a live band playing iconic hits from the decade, a DJ dance party, and even multiple appearances from Beetlejuice himself.

As mentioned in our review of this year’s Halloween Horror Nights, many of this year’s mazes – including Ghostbusters, Stranger Things, and Killer Klowns from Outer Space – are based on properties either released in or centered around the 1980s, unsurprisingly rendering ‘80s Throwback Thursdays a well-fitting addition to this year’s event.

Though all regular Halloween Horror Nights attractions operate as usual, the atmosphere of the event significantly changes on Thursdays. All are encouraged to come dressed in their best 1980s attire, while music from the decade blasts across the Universal metro sets, escalators to and from the Lower Lot, and around the stage on the Lower Lot where the live band plays. Despite seemingly being a minor change at the event, the addition of ‘80s tunes alone effectively sparks excitement among enthusiastic guests; many of whom danced and sang along all throughout the night.

As one of Throwback Thursdays’ main additions to the event, a live ‘80s tribute band, Fast Times, covers an abundance of famous ‘80s songs for all to enjoy. However, what truly adds to the experience is the one and only Beetlejuice, who – at designated times throughout the night – dances and interacts with guests around the stage.

Another character addition can be found at the entrance to the park on the Upper Lot: the infamously murderous doll, Chucky. Sitting up high above guests, a puppet of Chucky tosses insults at audience members innocently walking by in a similar – though more subdued – manner to Chucky’s Insult Emporium long gone from Hollywood’s event.

We thoroughly enjoyed our visit to Halloween Horror Nights on an ‘80s Throwback Thursday and cannot recommend it enough to those who can make it. While its changes from the general event may seem small, ’80s Throwback Thursdays create an indescribably exuberant atmosphere sure to bring about smiles on all.

The Inside Universal Podcast: Talking Horror Nights 29 with Patrick Braillard

Brian interviews Patrick Braillard, Creative Development Show Director at Universal Orlando, to discuss Halloween Horror Nights 29 at Universal Orlando, including the creative process of bringing this year’s event to life.

 

Direct Download and iTunes

You may download this episode directly here. You may also subscribe to the Inside Universal Podcast on iTunes. In addition, you can also follow us on Spotify to listen to podcast episodes on their app.

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